B. London 2002, living and working in London. [they/them]
My practice brings together the counter-aesthetics of kitsch and minimalism, through which I explore architectures of power, complicity and dispossession in Britain. I am interested in the paradoxical potential of artificial light as a means of cultivating reverie. Whilst artificial light is employed as a coercive tool under capitalism, it additionally holds the potential to foster radical imagination towards anarchist futures and anti-capitalist modes of living. I embrace inefficiency, indulgence and confusion as anti-fascist methodology.
I am a member of Acute Psycho-Institutional Gutting (APIG), a collective of artists and friends. Our activities involve eating together, engaging in mutual aid and organising readings/performance events.
Education
2021 - 2025 BA Fine Art, Slade School of Fine Art, London
2020 - 2021 Art Foundation, Kingston School of Art, London
Solo Exhibitions
2022 Machine Sighs, Turf Projects, London
Group Exhibitions
2025 L’Exposition, Le Collectif Public Averti et Les Châtelains, Villequiers
2025 Slade BA/BFA Degree Show, Slade School of Fine Art, London
2024 Rift, Greatorex Street, London
2023 The Assemblage, Kunstraum, London
2023 Kunst Affair, AMP Studios, London
2023 Groundplay, Candid Gallery, London
2022 Good Grief, The Old Butchers, London
2022 Juicebox, RuptureXIBIT, London
2022 Cosmic Chromas, UCL Art Museum, London
2022 Weeeee Launch show, Unit M Space, London
2021 About us, Without us, Turf Projects, London
2021 Public Art at The Park Brewery, Park Brewery, London
2019 People of the Pizza, Turf Projects, London
2018 Divine Repurpose, Turf Projects, London
Awards
2025 Clare Winsten Prize
2024 Herbert Seaborn Memorial Scholarship